One of FZ's favorite composers;Anton Webern |
Anton Webern born Dec. 3, 1883, to Carl Von Webern and Amelie -a pianist and a recognized vocalists inVienna, Austria, died Sept. 15, 1945, shot dead by mistake by an American soldier while he was staying in his daughter’s home in Mittersil, Austria.
Webern was an Austrian
conductor and composer of the 12-tone Viennese school. He is recognized
especially for his passacaglia for orchestra, his chamber music, and numerous
songs. He is name-checked on the cover of "Freak Out!" (1966)
considering that he was one of FZ's favorite composers. He is also pointed out
in "The Real Frank Zappa Book" (1989).
His first compositions, Two Pieces for Cello and Piano (1899) and several tunes, date from the Klagenfurt
time. As a student, significant follower of, and influence on Arnold Schönberg Webern used twelve-tone method first in his Kinderstück for piano, using the serial technique after
that for all further compositions (opuses 17-31) and developing it with severe
consistency to its most extreme potential. The instrumental works during that
time (opuses 20, 21, 22, 24, 27, 28, 30) are governed by demanding formal
discipline.
In 1902, after graduation
from the Klagenfurt Humanistisches Gymnasium, he attended performances of
Wagner operas at the Bayreuth Festival, and these left an intense effect on the
young musician. That fall, he entered the University of Vienna, studying
musicology and composition.
Anton completed his doctorate
on the works of Heirich Adler in 1906 at the University of Vienna. Together
with their colleague Alban Berg, Webern and Schönberg started what nowadays is
known as the "Neo-Viennese" school of serial composition which has
had such a drastic impact upon the development of 20th century music.
From the time span of 1908 to
1914 he held work as coach and theatre conductor in Germany and Vienna, Ischl,
Innsbruck, Teplitz, Danzig, and Stettin.
In 1911 Anton married
Wilhelmine Mörtl, the child of his mother’s sister. Because of the Roman Catholic
prohibition of the relationship of first cousins, the relationship was
solemnized only in 1915, after three of the couple’s four children had already
been born. His marriage brought about constancy to his frustrating life.
Webern, while deeply
religious in a pantheistic sense, was averse to church dogma, rejecting the
priest’s position as intermediary between God and humanity.
Though not a prolific
composer, the influence of his works on the later composers was enormous. There
were hardly thirty one of his compositions that were published during his life.
His works, which used Arnold Schönberg’s twelve-tone approach, had a textual
clarity connected with it and an mental coolness, which greatly affected
composers.
Anton Webern used Arnold Schönberg’s twelve-tone approach
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