Such as its companion-album, The Grand Wazoo, a
big-band jazz album that was introduced
five months later, Waka/Jawaka recognizes
Zappa shifting significantly into jazz fusion territory, with a nod to Miles Davis’ Bitches Brew.
Anyway, it's the title cut that's the stand out
at this point; the band members brought in for Waka/Jawaka are not the
outstanding personalities that graced Hot Rats. Captain Beefheart and SugarcaneHarris are replaced by newer faces. Those are Sal Marquez on Trumpet, Tony Duran on slide guitar, Don Preston on Moog and piano with truly original and melodic guitar solo from the “wheelchair-boundmaestro“ himself. The chord changes throughout the solos, and the soloists'
seam less adapted to those changes. Overall, they create a tight, well
organized group.
The first tune is a 17-minute extravaganza
named "Big Swifty," which moves on the intensity of Zappa's guitarand Marquez' horns through enough changes to create a good contemporary jazz
suite. It is something to appreciate, even though it could properly be called
substandard Miles Davis. It appears quite light-weight for a total side piece. But that's just
quibbling. It's good, it stands up to repeated listenings, and is, together
with the title cut, one of the best things on the album.
Waka/Jawaka is the initial of an extended
string of important Zappa albums. Zappa is in his real zone here, both
compositionally and instrumentally. However, I can't imagine this album a
full-fledged masterwork despite the various moments of undoubted brilliance.
It's surely an excellent participation to the style. Experiment with Hot Rats
first, however give this a go if you want.
Did you miss something? You are more then welcome to share your thoughts.
Did you miss something? You are more then welcome to share your thoughts.
Discography-Waka/Jawaka
Reviewed by
frank zappa newspaper
on
13:20
Rating:
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